Vorträge
Sonifying National Independence Ideology: The Politics of Popular Music in Karimov’s Uzbekistan, SOAS, London: Middle East and Central Asia Music Forum, November 2017
Sonifying National Independence Ideology. The Politics of Popular Music in Uzbekistan; Gastvortrag, Newcastle University, Dezember 2016
Popular Music and Politics. Estrada in Uzbekistan; Gastvortrag, Musikmuseum Iran, Teheran, November 2016
Post-Socialism? Anti-Socialism! Taking Stock of the Anthropology of Music on Central Asia; EASA, Mailand, Juli 2016
Doing Place with Estrada: Popular Music and Spatialization in Uzbekistan; SOAS, London: Musical Geographies of Central Asia, Mai 2012 Silk Road Sounds: The Routes and Roots of Uzbek Pop; RGS, London, September 2010
"But Why Don’t You Research Interesting Music?" Uzbek Estrada and the Aesthetics of Affirmative Pop; EASA, Maynooth, August 2010
"Eurasian Grooves": Música Popular e Política no Usbequistão; Gastvortrag, Universidade Federal de Campinas, Brazil, November 2009
“I am a daughter of Uzbekistan, I am a child of Khorezm”. Popular Music and Patriotism in Uzbekistan; Gastvortrag, Hochschule für Musik, Theater und Medien Hannover Die Ästhetik des Populären, Dezember 2008
“Eurasian Grooves”. Popular Music, Identity and Politics in Uzbekistan; VolkswagenStiftung, Berlin, Dezember 2006
Grooving the Nation. Popular Music in Uzbekistan; Doktorand_innen-Workshop, Universität Bremen: Transcultural Identity Politics in the Making: Contrapunctual Listenings to Music, Juni 2006
“Möge Allah Dein Leben vor dem Bösen schützen”. Nationalismus und Islam in usbekischer Popularmusik; Doktorand_innen-Symposium, Hochschule für Musik, Theater und Medien Hannover, Juni 2006
“Eurasian Grooves”. Popular Music, Politics, and Identity in Uzbekistan; Gastvortrag, Goldsmiths College London: Ethnomusicological Research Seminar, Februar 2003
Popular Music in Uzbekistan – Sketches for an Ethnomusicological Research Project, Utrecht, Central Asian Research Network, Juni 2001
“Worlds Apart” – oder: Was hat Musikethnologie mit ‘World Music’ zu tun?, Göttingen, Gesellschaft für Musikforschung, November 2000