Publikationen

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Summer, S., Reuter, C., Czedik-Eysenberg, I., Bertsch, M., Klebermass-Schrehof, K., Mader, J., Buchmayer, J., Bartha-Doehring, L., Berger, A., & Giordano, V. (2024). “Every breath you take”: evaluating sound levels and acoustic characteristics of various neonatal respiratory support and ventilation modalities. Frontiers in Pediatrics , 12(1379249), Artikel 1379249. https://doi.org/10.3389/fped.2024.1379249

Czedik-Eysenberg, I., Smialek, E., & Herbst, J.-P. (2024). Towards an Acoustic-Semantic Space of Extreme Metal Vocal Styles. in Fortschritte der Akustik: DAGA 2024, 50. Jahrestagung der Deutschen Gesellschaft für Akustik (S. 979-982).

Reuter, C., Bartha-Doering, L., Czedik-Eysenberg, I., Maeder, M., Bertsch, M., Bibl, K., Deindl, P., Berger, A., & Giordano, V. (2023). Living in a box: Understanding acoustic parameters in the NICU environment. Frontiers in Pediatrics , 11, Artikel 1147226. https://doi.org/10.3389/fped.2023.1147226

Klooss, F., Cui, A.-X., Reuter, C., & Czedik-Eysenberg, I. (2023). From Simulation to Reality Enhancing HRTF Capture. in Proceedings of the 17th International Conference on Music Perception and Cognition (ICMPC) and the 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music (APSCOM) (S. 257).

Czedik-Eysenberg, I., Roos, M., Weber, V., Klooss, F., Cui, A.-X., Reuter, C., & Oehler, M. (2023). Play it again, Sam(ple) - Trends in the prevalence of repetition and audio self-similarity in German chart songs. in Proceedings of the 17th International Conference on Music Perception and Cognition (ICMPC) and the 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music (APSCOM) (S. 224).

Reuter, C., Czedik-Eysenberg, I., Popovic, D., Rois-Merz, E., Gerendas Obiols, F., Roos, M., Ambros, S., Jewanski, J., Klooss, F., Oehler, M., & Cui, A.-X. (2023). The rise and fall of the devil's interval - Stimuli characteristics and hearing threshold may explain the tritone paradox. in Proceedings of the 17th International Conference on Music Perception and Cognition (ICMPC) and the 7th Conference of the Asia-Pacific Society for the Cognitive Sciences of Music (APSCOM) (S. 260).

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